Category: Cover

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Issue 2, 2020 – Cover

  • October 5, 2020

Pandemics have impacted our society in different ways over the centuries. This is also the case of the current COVID-19 pandemic, which can be considered as the pandemic of the[…]

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Issue 1, 2020 – Cover

  • April 29, 2020

Surrealism originated in the late 1910s as an artistic movement that sought to unleash the expression of the subconscious and irrational mind. Artists of this movement painted illogical compositions, sometimes[…]

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Issue 3, 2019 – Cover

  • December 16, 2019

Without mathematics and civil engineering, the construction of the CN Tower would not have been possible. Similarly, advances in biomedicine have significantly improved our quality of life and longevity, while[…]

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Issue 2, 2019 – Cover

  • August 19, 2019

Advances in medical technologies and therapeutics have had a momentous impact on our society and healthcare systems, allowing individuals suffering from various illnesses to seek vital comfort and rehabilitation. A[…]

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Issue 1, 2019 – Cover

  • May 6, 2019

“I will astonish Paris with an apple.” Paul Cézanne (1839-1906) astonished more than just Paris with his art. Over his career, the renowned, post-impressionist master created over 200 still life[…]

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Issue 3, 2018 – Cover

  • December 10, 2018

In 1937, the soon to be doomed Spanish Republican government commissioned Pablo Picasso to paint a mural for the Exposition Internationale des Arts et Techniques dans la Vie Moderne in[…]

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Issue 2 2018 – Front Cover

  • July 20, 2018

The 1960s was a revolutionary decade that turned traditional Western norms on their heads. Consumerism culture was growing, spurred by the emergence of television, and a “generation gap” was dividing[…]

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Issue 1 2018 – Front Cover

  • April 2, 2018

Trees have long been a cross-cultural symbol of growth and connectivity. Even Charles Darwin famously used the Tree of Life metaphor in On the Origin of Species to describe the[…]

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Issue 3 2017 – Front Cover

  • December 4, 2017

René Magritte (1898-1967) was always keen to distinguish the real from the perceived. A common motif in this Belgian surrealist’s art is the veiled faces, most notably used in The[…]

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Issue 2 2017 – Front Cover

  • July 27, 2017

On May 8, 1889, Vincent Van Gogh admitted himself to the Saint-Paul-de-Mausole asylum in southern France following a particularly devastating breakdown where he mutilated part of his own ear. During[…]

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